Created by artist Alex Chinneck, the impressive canal boat sculpture named 'The Industry' has been unveiled to celebrate Sheffield's historic waterways and industrial heritage.
The Advanced Manufacturing Innovation District (AMID) spans the border of Sheffield and neighbouring town of Rotherham, and was the first of it's kind in the UK. This 2,000 acre, already decade-old cluster of inventiveness, alongside the world-leading heavy industry and engineering expertise still present in the city, inspires and powers the future of a £200 billion sector in the UK alone.
Measuring 483.69 square metres in total, the artwork will be painted across 6 facades of the brown-brick NCP building on Wellington Street, paying homage to the natural topography which has defined Sheffield since the 12th century, as a city built on hills and rivers.
Sheffield graphic artist, Rob Lee, has collaborated with prolific street artist INSA to create an ambitious new artwork for Sheffield. Combining the collective force of their signature styles, they have completely transformed a drab brown-brick facade with an homage to the city's natural topography.
We have 61% greenspace within our borders, we have more trees per person than any other city in Europe, we have over 800 managed greenspaces across 4,000 hectares of land, and it’s recently coming to light that we have more peatland bog than any other city too (which tops the charts for carbon capture). These facts are a source of great pride, but come with a duty to look after what we have.
The spirit of independent brewing in this nation has been shaped by Sheffield, inspiring a movement that has given us one of the best reputations in the world, for a sector that is also worth £1.8 billion to the UK.
On the first two weekend of May each year, Open Up gives people the opportunity to visit artists, creatives, studios and inventive people at the places where they work in neighbourhoods across the city and beyond.
The Economic Recovery Fund supported local businesses and organisations to get people visiting and spending money in their neighbourhoods. That meant anything from delivering events for businesses to connect with customers; creating exciting new features to draw people in; making the high street a nicer place to spend time; or something completely different. Solutions are designed by local people for local people, using their insight into what would work on their high street.
JÖRO’s huge success marks the end of a decade‑long wait for Michelin recognition to return to the city and helps fill a long‑acknowledged gap in starred restaurants between London and Scotland.